Northridge Presbyterian Church
Dallas, Texas
Year Built: 2001
Manuals: 2
Stops: 29
Ranks: 36
Manuals: 2
Stops: 29
Ranks: 36
Swell Organ (Expressive)
| 16′ | Gedeckt |
| 8′ | Geigen Diapason |
| 8′ | Chimney Flute |
| 8′ | Salicional |
| 8′ | Voix Céleste CC |
| 4′ | Principal |
| 4′ | Harmonic Flute |
| 2 2/3′ | Nasard |
| 2′ | Octavin |
| 1 3/5′ | Tierce |
| 1 1/3′ | Larigot |
| II | Plein Jeu |
| III | Petit Plein Jeu |
| 16′ | Double Trumpet |
| 8′ | Trompette |
| 8′ | Hautbois |
| 8′ | Vox Humana |
| 4′ | Clairon |
| 16′ | Fox Horn TC (GT) |
| 8′ | Fox Horn (GT) |
| Tremolo | |
| Swell to Swell 16′ | |
| Swell Unison Off | |
| Swell to Swell 4′ | |
| MIDI to Swell |
Pedal Organ
| 32′ | Basse (1-12)† |
| 16′ | Principal |
| 16′ | Subbass |
| 16′ | Violone (GT) |
| 16′ | Gedeckt (SW) |
| 8′ | Octave |
| 8′ | Bourdon |
| 8′ | Violone (GT) |
| 8′ | Chimney Flute (SW) |
| 4′ | Super Octave |
| 4′ | Bourdon |
| 16′ | Posaune (GT) |
| 16′ | Double Trumpet (SW) |
| 8′ | Trompete |
| 8′ | Trumpet (SW) |
| 4′ | Clairon (SW) |
| 8′ | Fox Horn (GT) |
| Chimes | |
| MIDI to Pedal |
Great Organ
| 16′ | Violone* |
| 8′ | Principal |
| 8′ | Bourdon* |
| 8′ | Violone* |
| 4′ | Octave |
| 4′ | Nachthorn* |
| 2 2/3′ | Quint |
| 2′ | Super Octave |
| IV | Fourniture |
| 8′ | Trompete (PED) |
| 8′ | Cromorne* |
| 8′ | Fox Horn* |
| Tremolo | |
| Great Unison Off | |
| Cymbelstern | |
| Chimes | |
| MIDI to Great |
Reversibles
| Great to Pedal (with toe piston) | |
| Swell to Pedal (with toe piston) | |
| Swell to Great | |
| Tutti I (with toe piston) | |
| Tutti II (with toe piston) |
Couplers
| Great to Swell 8′ | |
| Swell to Great 8′ 4′ | |
| Great to Pedal 8′ | |
| Swell to Pedal 8′ 4′ |
Pistons
| 12 | General (with toe pistons) |
| 6 | Swell |
| 5 | Great |
| 5 | Pedal (with toe pistons) |
| * | enclosed, expressive |
| † | digital voice |
The Nichols & Simpson organ at Northridge Presbyterian Church in Dallas, Texas resides in the church’s new worship space and features a facade of both painted and polished zinc pipes. The terraced moveable console is fitted with manual natural keys of bone and sharps of rosewood, rosewood drawknobs and bone faces inset for engraving, and rosewood expression shoes.
Those who contributed to the realization of the organ include:
C. Joseph Nichols
(engineering, installation, tonal finishing)
Wayne E. Simpson III
(design, voicing, tonal finishing)
Duane Vanderpluym
(construction, installation)
Jorge A. Osorio
(console, construction, installation)
Timothy M. Bovard
(construction, installation)
(engineering, installation, tonal finishing)
Wayne E. Simpson III
(design, voicing, tonal finishing)
Duane Vanderpluym
(construction, installation)
Jorge A. Osorio
(console, construction, installation)
Timothy M. Bovard
(construction, installation)
David C. Scribner
(construction, installation)
Joshua Peden
(voicing assistant)
Bryan K. Gray
(computer-aided drawing and design)
A. R. Schopp’s Sons
(pipework)
(construction, installation)
Joshua Peden
(voicing assistant)
Bryan K. Gray
(computer-aided drawing and design)
A. R. Schopp’s Sons
(pipework)